Ballet San Jose’s 2012-2013 Season

5 Sep

Ballet San Jose will start its 2012-2013 season with a new Nutcracker, choreographed by veteran company principal Karen Gabay, running December 8-22, 2012.  Sets will be designed by Paul Kelly and costumes by Theoni Aldredge.  Gabay has run a summer company, Pointe of Departure, for several seasons, and seen locally at the Mountain View Center for the Arts.

February 15-17, 2013 the company will premiere the Ludwig Minkus  musical romp, Don Quixote , staged by Wes Chapman, Ballet San Jose’s Artistic Advisor, based on the Marius Petipa-Alexander Gorsky choreography.

March 22-24, 2013 Sir Frederick Ashton’s Les Rendezvous, set to Francois Esprit Auber’s ,music, will receive its company premiere as well as the Jules Massenet’s Meditation from Thais,  created on Sir Anthony Dowell and Dame Antoinette Sibley when they were young principals with The Royal Ballet. Stanton Welch’s Clear to J.S. Bach music, will receive an
encore performance and there will be a revival of Kurt Jooss’ iconic anti-war ballet The Green Table, created in 1932, and instrumental in Jooss’ departure from Germany for England for the remainder of the ’30’s and through the World War II years.

The season will complete itself April 19-21, 2013 with some surprising inclusions of modernity.  These are Jorma Elo’s Glow-Stop set to the music of Wolfgang Amadeus Mozart and Philip Glass and Merce Cunningham’s Duets, a six couple series of pas de deux performed to the music of John Cage. An additional pas de deux will be announced. Jessica Lang will be represented in a world premiere for the company, represented in the 2012 season with Splendid Isolation III.

Ballet San Jose also has announced a new music director and conductor.  George Daughterty comes with a 30-year record of conducting for the likes of Mikhail Baryshnikov, Rudolf Nureyev, Gelsey Kirkland, Suzanne Farrell and Natalia Makarova in addition to American Ballet Theatre, Munich’s State and La Scala Opera Ballets and The Royal Ballet.  He has been musical director for The Louisville Ballet, Chicago City Ballet and Ballet Chicago.  Guest conducting credits include San Francisco Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, the Cleveland Orchestra, and abroad with the Royal Philharmonic Concert Orchestra, the Danish National and the Sydney Symphonies.  Nominated for five Emmy Awards, he was awarded a Primetime Emmy for the ABC Network production of Peter and the Wolf.

Company promotions and new members have previously been noted.

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