Tiit Helimets helps Estonia Stage June 28-30 San Francisco Festival

5 Jun

San Francisco Ballet dancers usually get a month’s vacation in June, although some times touring individually, collectively or guest performances can fill in the thirty days.  In 2010, Tiit Helimets took an ensemble of ten dancers to Taillin and Tartu, the two principal cities in Estonia. Helimets’ venture had commenced through contacts made during a guest appearance as Albrecht in Ballet San Jose’s 2010 production of Giselle.

The ensemble included Val Caniparoli whose ballet Ibsen’s House to Anton Dvorak music was included in the program; recording this Eastern Odyssey on video was Quinn Wharton, then an SFB corps member, now with Hubbard Street Dance Theater. The video funding was raised through an appeal on Kickstarter, proposal crafted by Terri McCollum, best known for Odette’s Ordeal; it was nicely over subscribed.  The trip included a manager, a massage therapist with Katita Waldo as ballet mistress.

Eastern Odyssey was initially premiered at the Vogue Theatre, San Francisco.  What has happened to it since I’m not sure. But the success of the venture launched Tiit Helimets’ desire and efforts to bring an Estonian ballet ensemble to San Francisco; the end of June will see that realization.

The Festival will be ticketed for all but the June 30 Yerba Buena Gardens Dance Festival.

For tickets, the link is: http://estonianculturefestival.eventbrite.com/s.

Tickets will include entrance to a June 28 12-3 p.m. stage rehearsal at the Palace of Fine Arts with a Q&A by Tiit Helimets;  he is managing the event.

Friday. June 28.  An expo follows 5:00-7:00 p.m., a performance from 7:00-10:00 p.m. With the Estonian National Ballet and guests.

Saturday, June 29 will be marked by a Song Festival at Calvary Presbyterian Church, Fillmore and Jackson Streets, San Francisco, 2-5 p.m.

The final event at Yerba Buena Gardens 12:30-3 p.m. Sunday, June 30 should be open to the public.

Ticket costs and privileges are explained on the website.

For the Friday performance, Helimets has choreographed Time to music by Paula Matthusen, a music professor in electroacoustic and acoustic music at Wesleyan University in Connecticut. Estonian ballet mistress Marina Kesler has created Othello to the music of Arvo Part.  In between the two works actress Hanna-Liina Vosa and pianist Andrus Nahkur, distinguished Estonian artists, will appear.  Forty young Estonians, 15-25, members of the Estonian Youth Wind Orchestra will open the program.

The Estonian dancers coming number eleven, five of them soloists, six corps de ballet members. One soloist hails from Russia;  Moldova,  Japan and England are represented in the corps.  The full company numbers 56 under the direction of Thomas Edur whose career with his wife, Agnes Oaks, was principally with the English National Ballet, 1990-2009.

Both Edur and Oaks competed in the USA IBC in Jackson in 1990, where they were cited as the best Senior couple. Edur was also awarded a bronze medal.  They were identified as best couple by the  London Critics Circle in 2002; in 2010 both Edur and Oaks were made Commanders of the British Empire [CBE] by Queen Elizabeth II. Edur was named as the best male dancer in  the 2004 Laurence Olivier citation.

I culled the following from the Web. The Estonian National Ballet began in 1914 when two Russians, Nina Smirnova and Robert Rood, appeared at the Estonian National Opera.  A salaried troupe was started in 1918 and gave independent performances 1919-1920. In 1922, Viktoria Kreger of the Moscow Great Theatre staged Coppelia dancing the role. Rahel Olbrei, one of the ensemble, assumed leadership of the ensemble in 1926,  expanding her ballet training with study under Mary Wigman and Rudolf Laban; left in 1944 due to World War II pressures.  Anna Ekstrom, leading the company from 1944-1951, established the Estonian National School in 1946, which teaches Vaganova technique.

Subsequently The Estonian company had three artistic directors prior to Edur. He assumed a  company where dancers sign contracts with the government and once hired, cannot be fired.  The contract is year round;  after twenty years, they are eligible for a pension.  Corps members are utilized in operas and musicals; soloists appear only in ballets and the artists enjoy roughly two months of vacation in the summer.

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