Diablo Ballet’s 2010-2011 Season’s Ending at Shadowlands

16 Jul

This talented eight dancer ensemble is completing its seventeenth season across the Bay from San Francisco.  It has provided a venue for chamber-sized works by K.T. Nelson of ODC/SF’s artistic staff, Val Caniparoli of S.F. Ballet, Christopher Stowell now heading Oregon Ballet Theater and its dancers eager to further their aesthetic exploration.  The company has enlisted the talents of Katherine Wells, an extraordinarily versatile dancer native to the Bay Area and
Tatyana Martyanova, tall and elegant, originally from Odessa via Les Grands Ballets Canadiens de Montreal and other companies.

For this season’s round up both David Fonnegra and Tina Kay Bohnstedt contributed works, along with revivals by Sally Streets and Nelson with a local premiere by Caniparoli.The program started, however, with Balanchine’s pas de deux from Apollo with Mayo Sugano as Terpsichore and Jenkins Pelaez as a warm and  gallant Apollo.  The raised platform arrangement at Shadowlands and the resulting low ceiling clearance did not lend much magic to this excerpt from Mr. B’s classical milestone, but the two dancers made the best of it.  Sugano must have enjoyed the opportunity which would have eluded her during her seasons with San Francisco Ballet.

The local premiere of Caniparoli’s Gustav’s Rooster to Hoven Droven’s music teamed Katherine Wells with Rory Hohenstein who has guested during the season.  The two were well-matched in size, physique and their ability to embrace quirky choreography deftly. One-time San Francisco Ballet soloist who joined Christopher Wheeldon’s short-lived ensemble Morphoses,  Hohenstein’s singular abilities with idiosyncratic choreography has been missed. One wants to see him join Wells more often.

Sally Streets’ Encore, created for the company in 1996 for two couples, was danced in memory of her son dancer Robert Nichols, who died this spring. Pelaez partnered Martyanova and Edward Stegge joined Sugano in this tribute.

David Fonnegra shared Tina Kay Bohnstedt’s take on “My Way” with Hohenstein, mericfully minus Frank Sinatra’s voice.  Bohnstedt. temporarily side-lined by surgery, gave the men large sweeping movements, body stretches and jumps to accent the rise and fall of the music.

Nelson’s Walk before Talk, premiered by the company in 1998, completed the program with Wells prominent at the beginning, followed by an energetic rendition by the entire troupe.

A discussion followed the performance with audience and dancers exchanging views and background information.  Caniparoli also was on hand to comment.

Diablo Ballet has recently been awarded a grant from The San Francisco Foundation to support its outreach program in the Contra Costa Public Schools.

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One Response to “Diablo Ballet’s 2010-2011 Season’s Ending at Shadowlands”

  1. woollywesterneye July 30, 2011 at 6:55 am #

    July 29, 2011

    Dear Anonymousbosch14:

    With a name like that, your comment regarding my anonymity seems
    a bit like pot and the kettle.

    I am not privy to the information regarding Ronn Guidi’s disposal of the
    Ballets Russes productions. It seems a shame and I know Graham Lustig
    was disappointed in learning that.

    As to my comments regarding muscles and yours regarding Guidi’s use,
    who’s to say?

    Woollywesterneye.wordpress.com

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